Ad
related to: oldest japanese calligraphy
Search results
Results From The WOW.Com Content Network
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Old Japanese (上代日本語, Jōdai Nihon-go) is the oldest attested stage of the Japanese language, recorded in documents from the Nara period (8th century). It became Early Middle Japanese in the succeeding Heian period, but the precise delimitation of the stages is controversial. Old Japanese was an early member of the Japonic language ...
The second factor was the increasing popularity of Buddhism, which had been introduced to Japan in the mid-6th century and strongly promoted by Prince Shōtoku (574–622). [18] The Sangyō Gisho ("Annotated Commentaries on the Three Sutras"), traditionally attributed to Prince Shōtoku, is the oldest extant Japanese text of any length. [19]
None of Michikaze's kana calligraphy is known to have survived. A number of extant kanji works are believed to be by Michikaze, but only a few are strongly attributed to him. One of the well-known works ascribed without much evidence to Michikaze is a draft for an inscription on a byoubu (Japanese folding screen ) now mounted as a handscroll in ...
One of the earliest kana materials and one of the oldest extant works of Japanese prose fiction is the Tosa Diary written by Ki no Tsurayuki in 935. [93] [94] [95] It is also the oldest Japanese travel diary, giving an account of a return journey to Kyoto after a four-year term as prefect of Tosa Province.
These albums served as model books for calligraphy practice, the emulation of old styles, and as reference works for authentication in the growing antique market. [130] Today, the selection of calligraphers, and the type of calligraphies in a tekagami, show the changing tastes in classical Japanese-style calligraphy over the years. [127]
The term emakimono or e-makimono, often abbreviated as emaki, is made up of the kanji e (絵, "painting"), maki (巻, "scroll" or "book") and mono (物, "thing"). [1] The term refers to long scrolls of painted paper or silk, which range in length from under a metre to several metres long; some are reported as measuring up to 12 metres (40 ft) in length. [2]
Yukinari further improved the Japanese style calligraphy (wayō-shodō 和様書道), and showed great respect to its founder, Ono no Michikaze (894-966). He even mentioned in his diary, Gonki, that he had a dream wherein he met Michikaze and learnt calligraphy from him. Yukinari was known as the master of kana. His style was mild and easily ...