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Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
In contrast to the restrained use of tiles in the Süleymaniye Mosque, the surfaces in the interior and the façade under the portico at the entrance are all lavishly decorated with tiles. [87] More than 80 different designs are used. Most of the tiles are in panels of repetitive patterns where each tile is identical to the others.
Girih tiles are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork for decoration of buildings in Islamic architecture. They have been used since about the year 1200 and their arrangements found significant improvement starting with the Darb-i Imam shrine in Isfahan in Iran built in 1453.
In information visualization and graphic design, Truchet tiles are square tiles decorated with patterns that are not rotationally symmetric. When placed in a square tiling of the plane, they can form varied patterns, and the orientation of each tile can be used to visualize information associated with the tile's position within the tiling.
Encaustic or inlaid tiles are ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colors of clay. They are usually of two colours but a tile may be composed of as many as six. The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down.
The pattern represented by every finite patch of tiles in a Penrose tiling occurs infinitely many times throughout the tiling. They are quasicrystals: implemented as a physical structure a Penrose tiling will produce diffraction patterns with Bragg peaks and five-fold symmetry, revealing the repeated patterns and fixed orientations of its tiles ...