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The Grammy Award for Best Female R&B Vocal Performance (previously called Best Rhythm and Blues Solo Vocal Performance, Female) was an honor presented at the Grammy Awards, a ceremony established in 1958 and originally called the Gramophone Awards, [1] to female recording artists for quality R&B songs.
A global, multilingual list of rhythm and blues and contemporary R&B musicians recognized via popular R&B genres as songwriters, instrumentalists, vocalists, mixing engineers, and for musical composition and record production.
Best R&B Vocal Performance, Female. Aretha Franklin for Aretha; Best R&B Vocal Performance, Male. Smokey Robinson for "Just to See Her" Best R&B Performance by a Duo or Group with Vocal. Aretha Franklin & George Michael for "I Knew You Were Waiting (For Me)" Best R&B Instrumental Performance (Orchestra, Group or Soloist) David Sanborn for ...
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
This success led to LaBelle winning her first Grammy Award in the Best Female R&B Vocal Performance category in the 34th Annual Grammy Award Ceremony of 1992, sharing the win with singer Lisa Fischer, who won for her hit ballad, "How Can I Ease the Pain", in a rare tie in the history of the Grammys. [18]
Alyson Williams (born May 11, 1962) [1] is an Emmy Award Winner [2] [3] and R&B singer who had a string of hit singles in the late 1980s and early 1990s. Some notable tracks include "Just Call My Name", "Sleep Talk", "My Love Is So Raw" and "I Need Your Lovin".
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Girl groups have been popular at least since the heyday of the Boswell Sisters beginning in the 1930s, but the term "girl group" also denotes the wave of American female pop singing groups who flourished in the late 1950s and early 1960s between the decline of early rock and roll and the British Invasion, many of whom were influenced by doo-wop ...