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What's in a name? Well, when it comes to Korean last names, there's a whole world of history, meaning, and often some symbolism thrown in!From the ubiquitous Kim to the rare gems that'll make even ...
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the ...
The experimental inquiry into simple aesthetically pleasing forms was begun by G. T. Fechner in seeking to test the soundness of Adolf Zeising's hypothesis that the most pleasing proportion in dividing a line, say the vertical part of a cross, is the "golden section", where the smaller division is to the larger as the latter to the sum.
The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with ...
One thing that sets common Greek last names apart from others is that they were often derived from a person’s occupation, physical characteristics, place of origin or patronymic lineage.
The goddess has been associated with sexuality, love, and fertility. [ 5 ][ 6 ][ 7 ] Xi Shi (西施), born 506 BC, was one of the Four Great Beauties of ancient China. [ 8 ] Physical attractiveness is the degree to which a person's physical features are considered aesthetically pleasing or beautiful.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. [3] It is both the process and the product of sketching, conceiving, [4] planning, designing, and constructing buildings or other structures. [5]
On the Sublime and Beautiful at Wikisource. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a 1757 treatise (2nd edition 1759) on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories.