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Then Ananias went to the house and entered it. Placing his hands on Saul, he said, "Brother Saul, the Lord—Jesus, who appeared to you on the road as you were coming here—has sent me so that you may see again and be filled with the Holy Spirit." Immediately, something like scales fell from Saul's eyes, and he could see again.
For Saul this is a moment of intense religious ecstasy: he is lying on the ground, supine, eyes shut, with his legs spread and his arms raised upward as if embracing his vision. The saint is a muscular young man, and his garment looks like a Renaissance version of a Roman soldier's attire: orange and green muscle cuirass, pteruges, tunic and ...
As he journeyed he came near Damascus, and suddenly a light shone around him from heaven. Then he fell to the ground, and heard a voice saying to him, "Saul, Saul, why are you persecuting Me?" And he said, "Who are You, Lord?" Then the Lord said, "I am Jesus, whom you are persecuting. It is hard for you to kick against the goads."
An 1873 illustration of Abishai (centre) encouraging David (right) to strike Saul. Abishai was a military leader under the biblical King David. He was the eldest son of David's sister Zeruiah. According to Josephus (Antiquities, VII, 1, 3) his father was called Suri. [1] The meaning of his name is "Father of a gift". [2]
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace , in Vatican City . This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus.
The Morgan Bible is part of Morgan Library & Museum in New York (Ms M. 638). It is a medieval picture Bible.The Morgan Bible originally contained 48 folios; of these, 43 still reside in the Morgan Museum, two are in the Bibliothèque nationale de France, Paris, one is in the J. Paul Getty Museum, Los Angeles, and two have been lost. [3]
Jabesh-Gileadites recover the bodies of Saul and his sons, Gustave Doré. The men of Jabesh-gilead, remembering Saul's action on their behalf (1 Samuel 11:1–13), came to take the bodies of Saul and his sons for cremation and burial, a more honorable treatment than that of the Philistines to the bodies of Saul and his sons. [17] [18]
Saul's death was interpreted as a punishment of pride - it was among the proud that Dante met Saul in the Purgatorio - and this may account for Bruegel's choice of such an unusual subject. [8] Saul was placed in the 2nd Terrace of Purgatory, with King Nimrod, the subject of another Bruegel painting (in two versions, 1563-65), The Tower of Babel.