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These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
Aim's sound is a blend of funky electronic music and hip hop beats, a sound which typified the Grand Central Records label. Much of his work is instrumental , though his records include collaborations with other artists who provide vocals, including Stephen Jones of Babybird , Diamond D , Souls of Mischief , YZ , QNC and Kate Rogers .
Cross-note C: C-G-C-G-C-E ♭ C-C-G-C-E ♭-G, a cross-note overtones tuning; C-C-G-C-E ♭-A ♭ a cross-note overtones tuning that facilitates seventh chords. Cross-note D: D-A-D-F-A-D (used by John Fahey on the song "Red Pony") Alternative: D-A-D-A-D-F (used by William Ackerman on "Barbara's Song")
The "AIM Song" is the name given to a Native American intertribal song. Although the song originally did not have a name, it gained its current alias through association with the American Indian Movement. During the takeover of Wounded Knee, it was used as the anthem of the "Independent Oglala Nation."
"Tomorrow" became a hit for David Cassidy in 1976. It was released a single from his album Home Is Where the Heart Is. The song was produced by Bruce Johnston. The song reached number 10 in South Africa. [21] McCartney remarked about Cassidy's cover of "Tomorrow" as taking the song to its ultimate potential. [citation needed]