Search results
Results From The WOW.Com Content Network
Too Late for Tears is a 1949 American film noir starring Lizabeth Scott, Don DeFore, and Dan Duryea.Directed by Byron Haskin, its plot follows a ruthless woman who resorts to multiple murders in an attempt to retain a suitcase containing US$60,000 ($609,000 in 2023) that does not belong to her.
The Filthy Critic is a website run by Matt Weatherford under the pseudonym Filthy. [1] From 1998 until 2011, starting again in 2013, the website offers reviews of contemporary movies. Filthy's fictionalized private life frequently appears in the articles, including personal and often self-deprecating accounts of his life in the Colorado town of ...
Nightmare Alley; Red Rocket; The Tragedy of Macbeth; West Side Story; 2022: Top Gun: Maverick [9] Aftersun; Avatar: The Way of Water; The Banshees of Inisherin; Everything Everywhere All at Once; The Fabelmans; Glass Onion: A Knives Out Mystery; RRR; Till; The Woman King; Women Talking; 2023: Killers of the Flower Moon [10] Barbie; The Boy and ...
On the December 13, 1997 episode of Siskel & Ebert, it received a thumbs down from Roger Ebert and a "marginal thumbs down" from Gene Siskel, with Siskel preferring the more serious moments of the film over the comedic parts. [5] In his other review for the Chicago Sun-Times, Ebert gave the film 2 out of 4 stars. Regarding the film and Tim ...
The National Board of Review Award for Best Film is one of the annual awards given since 1932 by the National Board of Review of Motion Pictures. [1] Winners
The Asphalt Jungle is a 1950 American heist film noir directed and co-written by John Huston, and starring Sterling Hayden and Louis Calhern, with Jean Hagen, James Whitmore, Sam Jaffe, John McIntire, and Marilyn Monroe in one of her earliest roles. [4]
Review aggregator Rotten Tomatoes retrospectively collected 64 reviews and gave the film an 88% approval rating, with an average rating of 7.7/10. The consensus summarizes: "Playing against type with Nightmare Alley, Tyrone Power and Edmund Goulding deliver some of their best work in a carnival-set noir unafraid to showcase true despair." [10]
The film received negative reviews from critics and has a 25% rating on Rotten Tomatoes from 12 reviews. [3] In his review, Roger Ebert wrote, "The screenplay is founded on the ageless principles of screwball comedy, but the film lacks the energy, the timing and the sense of manic frenzy that's generated by the best screwball."