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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
The text of these chapters is found in the Septuagint, the earliest extant Greek translation of the Hebrew Bible from the original Hebrew. The three chapters are as follows. The Prayer of Azariah and Song of the Three Holy Children : Daniel 3:24–90 (in the Greek Translation) are removed from the Protestant canon after verse 23 (v. 24 becomes ...
Daniel is episodic rather than linear: it has no plot as such. It does, however, have a structure. Chapters 2–7 form a chiasm, a literary figure in which elements mirror each other: chapter 2 is the counterpart of chapter 7, chapter 3 of chapter 6, and chapter 4 of chapter 5, with the second member of each pair advancing the first in some way.
Chapter 2: Nebuchadnezzar's Dream; Chapter 3: The Fiery Furnace; Chapter 4: Nebuchadnezzar's Madness; Chapter 5: Belshazzar's Feast; Chapter 6: Daniel in the Lions's Den; Chapter 7: The Four Beasts; Chapter 8: The Ram, He-Goat and Horn; Chapter 9: The Seventy Weeks; Chapters 10–12: Daniel's final vision; Additions to Daniel: - Song of the ...
The seventy weeks prophecy is internally dated to "the first year of Darius son of Ahasuerus, by birth a Mede" (Daniel 9:1), [34] later referred to in the Book of Daniel as "Darius the Mede" (e.g. Daniel 11:1); [35] however, no such ruler is known to history and the widespread consensus among critical scholars is that he is a literary fiction. [36]