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Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.
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Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor instead to realize its own purely musical nature—in part by disregarding compositional conventions that placed 'outer' restrictions on the expression of 'inner' visions".
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Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it. [ 3 ] Meyer's 1967 work "Music, the Arts, and Ideas," was influential in defining the transition to postmodernism in light of new works such as George Rochberg 's Music for the ...
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Expressionist music" The following 16 pages are in this category, out of 16 ...