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According to Ultimate Guitar, "Run to You" has a medium tempo of 99 beats per minute. The verse is composed of two repetitions of Bm–A–G–A–Bm–A–G–D–Bm, with the pre-chorus consisting of two short bars of E–D–C. The first two choruses are made up of two sequences of G–C–E–D–G–C–G–D.
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
According to Ultimate Guitar, "Anyone" is a pop ballad with a moderately fast tempo of 143 beats per minute. Its basic chord structure during each verse consists of two repetitions of an A– F♯m –C♯m–D–E sequence, followed by a further two repetitions of B–A–Fm–E.
According to Ultimate Guitar, "Milk and Toast and Honey" has a moderately fast tempo of 141 beats per minute. The verse is composed of two repetitions of D ♭ –Fm/C–B ♭ m–D ♭ /A ♭ –G ♭ –D ♭ –A ♭ 7, with the pre-chorus consisting of two short bars of G ♭ –D ♭ –A ♭.
[2] According to Ultimate Guitar, "You Don't Understand Me" is an alternative pop ballad, with a slow tempo of 77 beats per minute. Each verse is composed of two repetitions of a C–D–Em–C–C–D–Em sequence, and the bridge consists of a Gm–B♭–F–C–B♭–F–C–B♭–F–Gm sequence.
According to Ultimate Guitar, the track is an alternative rock ballad, with a moderately slow tempo of 86 beats per minute. The verses are made up of three repeating sequences of Bm [5] –G–A and one additional sequence of Bm–G–Em.
The guitars and bass are tuned down a half-step on the Hawkwind version, effectively making the song's key E♭ Major, but are described here as if in standard tuning. The bass follows the root note for all the chords, with a riff on the F♯, based on the A string between the tenth and twelfth frets.
"Sleeping in My Car" was the final song the band recorded for Crash!Boom! Bang!, and was written by Per Gessle.In the liner notes of their 1995 greatest hits compilation Don't Bore Us, Get to the Chorus!, Gessle described how, on listening to the first playback of the album just before Christmas 1993, the duo realised that it was "missing something.