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"I'm Henery the Eighth, I Am" (also "I'm Henery the VIII, I Am" or "I'm Henry VIII, I Am"; spelled "Henery" but pronounced "'Enery" in the Cockney style normally used to sing it) is a 1910 British music hall song by Fred Murray and R. P. Weston. It was a signature song of the music hall star Harry Champion.
Original score of Pastime with Good Company (c. 1513), held in the British Library, London "Pastime with Good Company", also known as "The King's Ballad" ("The Kynges Balade"), is an English folk song written by King Henry VIII in the early 16th century, when he was in his early twenties, teens or even younger. [1]
Rick Wakeman's solo album The Six Wives of Henry VIII was conceptually inspired by the six wives. The album features six songs, each named after Henry VIII's wife. The order of songs does not match the chronological order of the marriages. The 1910 music hall song "I'm Henry VIII, I Am" was about a woman who had 8 husbands, all named Henry.
The album's title is a homage to the 16th century English folk song "Pastime with Good Company", composed by King Henry VIII, and performed in a special 2-part arrangement by Blackmore's Night on this recording. "Fires At Midnight" is another piece with a royal lineage, attributed to King Alphonso X of Spain.
The song is a playful reworking of the life and times of Henry VIII, in this case not the monarch, but the eighth husband of the "widow next door. She'd been married seven times before." "Any Old Iron" was written for Champion by Charles Collins, E.A. Sheppard and Fred Terry in 1911. [2] The song is about a man who inherits an old watch and chain.
Six (stylised in all caps) is a British musical comedy in the style of a pop concert. Its music, book, and lyrics were written by Toby Marlow and Lucy Moss. [1] It is a modern retelling of the lives of the six wives of Henry VIII, presented in the form of a singing competition.
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The Six Wives of Henry VIII is the second studio album by English keyboardist Rick Wakeman, released in January 1973 on A&M Records.It is an instrumental progressive rock album with its concept based on his interpretations of the musical characteristics of the wives of Henry VIII.