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Michael Hampton (born November 15, 1956) is an American funk/rock guitarist. He is a member of the Rock and Roll Hall of Fame , inducted in 1997 with fifteen other members of Parliament-Funkadelic .
Executed in 1982, Untitled (Head) is an outburst of vivid color, bearing echoes to one of Basquiat's most well-known heads Untitled. "Whereas Untitled (1981) presents the viewer with a mask-like visage caught somewhere between life and death, Untitled (Head) (1982) creates an effect that’s somewhat more supernatural because of its evocatively unnatural hues."
The original lineup consisted of Rollins (vocals), Michael Hampton (guitar), Wendel Blow (bass) and Simon Jacobsen (drums). During December 1980 and January 1981, the group recorded the 10-song 7-inch EP No Policy at Inner Ear Studios in Arlington, Virginia , produced by Skip Groff and engineered by Inner Ear owner Don Zientara .
S.O.A. was formed in October 1980 by 19-year-old Henry Garfield, now known as Henry Rollins, with guitarist Michael Hampton, bassist Wendel Blow, and drummer Simon Jacobsen. [3] The group performed a total of nine shows before disbanding in July 1981, [4] and, prior to the release of First Demo, had issued less than 30 minutes of music. [5]
Michael Hampton (born 1956) is an American funk/rock guitarist. Michael Hampton may also refer to: Michael Hampton (punk musician), hardcore punk guitarist from Washington, D.C. Michael Hampton, better known under his stage name DJ Magic Mike; Mike Hampton (Michael William Hampton, born 1972), American baseball player
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Emily Lewis, 15, was a passenger on a rigid inflatable boat being driven by Michael Lawrence when it hit a buoy in Southampton Water in August 2020. ... head to first NFC title game in 33 years.
The Faith was an early American hardcore punk band, from Washington D.C., with strong connections to the scene centered on the Dischord label. Along with Minor Threat, the Faith were key players in the early development of hardcore, with a (later) melodic approach that would influence not just associated acts like Rites of Spring, Embrace and Fugazi, but also a subsequent generation of bands ...