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Michael Hampton (born November 15, 1956) is an American funk/rock guitarist. He is a member of the Rock and Roll Hall of Fame , inducted in 1997 with fifteen other members of Parliament-Funkadelic .
It should only contain pages that are Michael Hampton albums or lists of Michael Hampton albums, as well as subcategories containing those things (themselves set categories). Topics about Michael Hampton albums in general should be placed in relevant topic categories .
Hampton then joined a short lived project called One Last Wish, composed of three ex members of Rites of Spring. This band lasted only a matter of months, but they had recorded one demo which was released some years later on Dischord. Concurrent with One Last Wish, Hampton was involved in another project with Simon Jacobson called The Snakes.
In 1978, one of Kiddo's founding members, Donnie Sterling, was a member of Parlet, a P-Funk girl group created by George Clinton.As Parlet's band leader and bass player, Sterling wrote three songs on Parlet's second album, Invasion of the Booty Snatchers, then became a P-Funk writer for producers Clinton and Ron Dunbar.
The original lineup consisted of Rollins (vocals), Michael Hampton (guitar), Wendel Blow (bass) and Simon Jacobsen (drums). During December 1980 and January 1981, the group recorded the 10-song 7-inch EP No Policy at Inner Ear Studios in Arlington, Virginia, produced by Skip Groff and engineered by Inner Ear owner Don Zientara.
Heavy Metal Funkason is the first full-fledged solo album by Parliament-Funkadelic guitarist Michael Hampton. It was released through the P-Vine label in Japan on March 31, 1998. [1] The album features appearances by George Clinton, P-Funk bassist Lige Curry (Hampton's cousin), Belita Woods, and Charlie Wilson from the Gap Band.
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The Faith was an early American hardcore punk band, from Washington D.C., with strong connections to the scene centered on the Dischord label. Along with Minor Threat, the Faith were key players in the early development of hardcore, with a (later) melodic approach that would influence not just associated acts like Rites of Spring, Embrace and Fugazi, but also a subsequent generation of bands ...