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"Barnum and Bailey's Favorite" by Karl King (1892–1971) is a famous circus music piece. [11] Unlike Fučík, King grew up performing circus music joining Robinson's Famous Circus at the age of 19 as a baritone player. During that time circus music needed its own style because modern music did not fit with most of the acts that the circus ...
In May, it was announced that Sid's new song "Enamel" would be used as the opening theme for Kuroshitsuji: Book of Circus. [1] Sid had already composed the first opening theme of Kuroshitsuji saga, "Monochrome no Kiss". [2]
Circus Boy – Hal Hopper and Victor McLeod; Citizen Smith ("The Red Flag") by Jim Connell and Melchior Franck, ("The Glorious Day") composed by John Sullivan, performed by Robert Lindsay; City of Angels – Nelson Riddle; Clarissa Explains It All ("Way Cool") – Rachel Sweet; The Cleveland Show – Walter Murphy (vocal by Mike Henry)
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Fierce Hearts, or Fierce Hearts: the Music of Love-Song-Circus, is a soundtrack/studio album by Australian singer songwriter Katie Noonan, produced as the soundtrack to contemporary circus Circa's show Love-Song-Circus. At the ARIA Music Awards of 2014, the album was nominated for Best Original Soundtrack/Cast/Show Album, but lost to Gurrumul ...
Most of the lyrics came from a 19th-century circus poster for Pablo Fanque's Circus Royal appearance at Rochdale. It was one of three songs from the Sgt. Pepper album that was banned from playing on the BBC, supposedly because the phrase "Henry the Horse" combined two words that were individually known as slang for heroin.
Screamers were mostly composed in a 60-year period (1895–1955). Circuses were in need of music that would stir the audience into a frenzy, as four-footed animals galloped across the ring. Because march music was a prominent part of American music at that time, and because it carried such a quick tempo, it was this that ringmasters demanded.
King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [1] As is common in his compositions, Karl King made the baritone part a major voice in the march. [2] King was asked by the bandmaster of the Barnum and Bailey Circus Ned Brill to write a march for the circus. [3]