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  2. Midas Consoles - Wikipedia

    en.wikipedia.org/wiki/Midas_Consoles

    Midas consoles are used by audio engineers for live sound mixing. Applications for these consoles includes Front of House (FOH) and monitor console positions. Midas also markets the digital audio distribution components that are commonly used with their digital consoles as stand-alone digital snakes, or larger multi-site audio distribution ...

  3. Matrix mixer - Wikipedia

    en.wikipedia.org/wiki/Matrix_mixer

    The matrix mixer is useful for performance spaces with multiple loudspeaker zones such as main left and right loudspeaker arrays, a center loudspeaker cluster or array, under-balcony speakers for the rear seating area, stage-lip loudspeakers for the front seats, overflow rooms, green rooms, the foyer, and broadcast or live streaming to distant ...

  4. AES50 - Wikipedia

    en.wikipedia.org/wiki/AES50

    Midas parent Klark Teknik took over the SuperMAC and HyperMAC patents in 2007, then in 2009 Midas and Klark Teknik were acquired by Uli Behringer's Music Group. The AES50 protocol is implemented in digital mixing consoles by Midas and Behringer to transfer digital audio between a console and remote stage boxes .

  5. Mixing console - Wikipedia

    en.wikipedia.org/wiki/Mixing_console

    SSL SL9000J (72 channel) console at Cutting Room Recording Studio, NYC An audio engineer adjusts a mixer while doing live sound for a band.. A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems.

  6. Midas XL8 - Wikipedia

    en.wikipedia.org/wiki/Midas_XL8

    The Midas XL8 was the first digital mixing console produced by Midas, previously a leading manufacturer of analogue mixing consoles for live sound. The introduction of the console came after years of digital console competition by Yamaha , Digidesign , and DiGiCo .

  7. Realistic (brand) - Wikipedia

    en.wikipedia.org/wiki/Realistic_(brand)

    Quatravox was the name of Realistic's synthesized four-channel output version of quadraphonic sound, which used Hafler circuitry to reproduce ambient sounds recorded by the microphones 180° out-of-phase with the intended recording (sounds recorded from opposite the microphone from the performers, i.e., studio echo, audience noise, etc.) and ...

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