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Eastern emoticons generally are not rotated sideways, and may include non-Latin characters to allow for additional complexity. These emoticons first arose in Japan, where they are referred to as kaomoji (literally "face characters"). The base form consists of a sequence of an opening round parenthesis, a character for the left eye, a character ...
Kaomoji on a Japanese NTT Docomo mobile phone A Kaomoji painting in Japan. Kaomoji was invented in the 1980s as a way of portraying facial expressions using text characters in Japan. It was independent of the emoticon movement started by Scott Fahlman in the United States in the same decade. Kaomojis are most commonly used as emoticons or ...
Anwar Masood (Urdu: انورمسعود, Punjabi: انورمسعود Punjabi: ਅਨਵਰ ਮਸਊਦ; born 8 November 1935) is a Pakistani poet and educationist known for his comic poetry. [1] However, his works include other genres as well. He writes in Punjabi, Urdu, and Persian languages. [2] [3]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
The Banjaranama (بنجارانامہ, बंजारानामा, Chronicle of the Nomad) is a satirical Urdu poem, written by the eighteenth-century Indian poet Nazeer Akbarabadi. [1] The poem's essential message is that pride in worldly success is foolish, because human circumstances can change in a flash, material wealth and splendor is ...
Shafiq-ur-Rahman (Urdu: شفیق الرحمن) (9 November 1920 – 19 March 2000) was a Pakistani humorist and short-story writer of Urdu language. [1] [2] He was one of the most illustrious writers of the Urdu-speaking world. Like Mark Twain and Stephen Leacock, [3] he has given enduring pleasure to his readers.
Aziz Mian Qawwal (Urdu: عزیز میاں قوال) (17 April 1942 – 6 December 2000) was a Pakistani traditional qawwal famous for singing ghazals in his own style of qawwali and is considered one of the greatest qawwals in South Asia.
According to Mir, Syed Sadaat Ali, a Sayyid of Amroha convinced him to pursue poetry in Urdu: [16] [17] "A Sayyid from Amroha took the trouble to put me on to writing poetry in the Urdu medium, the verse which resembled Persian poetry. Urdu was the language of Hindustan by the authority of the king and presently it was gaining currency.