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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
In the visual arts, shape is a flat, enclosed area of an artwork created through lines, textures, or colours, or an area enclosed by other shapes, such as triangles, circles, and squares. [1] Likewise, a form can refer to a three-dimensional composition or object within a three-dimensional composition.
Contour drawing is an essential technique in the field of art because it is a strong foundation for any drawing or painting; it can potentially modify a subjects’ form through variation within the lines. It is widely accepted among schools, art institutions, and colleges as an effective training aid and discipline [3] for beginner artists. In ...
Kunstformen der Natur was influential in early 20th-century art, architecture, and design, bridging the gap between science and art. In particular, many artists associated with Art Nouveau were influenced by Haeckel's images, including René Binet, Karl Blossfeldt, Hans Christiansen, and Émile Gallé.
Patterns in nature are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically . Natural patterns include symmetries , trees , spirals , meanders , waves , foams , tessellations , cracks and stripes. [ 1 ]
Peter Randall-Page RA (born 1954) is a British artist and sculptor, known for his stone sculpture work, inspired by geometric patterns from nature. [1] In his words "geometry is the theme on which nature plays his infinite variations, fundamental mathematical principle become a kind of pattern book from which nature constructs the most complex and sophisticated structures".
The sand-drawing practice shares commom features with the Indian Kolams because of the geometry-driven shapes it delivers through the tracing of a continuous line on the ground. The work of making patterns in the sand with a rake is also evocative of the Karesansui practice in traditional Japanese rock gardens, and of the large scale Nazca ...
Morris offered him a pencil and paper at two years of age, and by the age of four, Congo had made 400 drawings and paintings. His style has been described as "lyrical abstract impressionism". [3] Media reaction to Congo's painting abilities were mixed, although relatively positive and accepted with interest.