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"Jamming" is a song by the reggae band Bob Marley and the Wailers from their 1977 album Exodus. The song also appears on the compilation album Legend.The song was re-released 10 years later as a tribute to Bob Marley and was again a hit, as in the Netherlands, where it was classified in the charts for 4 weeks. [1]
"No Woman, No Cry" is a reggae song performed by Bob Marley and the Wailers. The song was recorded in 1974 and released on the studio album Natty Dread. [2]The live recording of this song from the 1975 album Live! was released as a single and is the best-known version; it was later included on several compilation albums, including the greatest hits compilation Legend.
Most of Bob Marley's early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of the Wailers.In 1972, the Wailers had their first hit outside Jamaica when Johnny Nash covered their song "Stir It Up", which became a UK hit.
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar.
Chant Down Babylon is a remix album by various hip hop and rock artists covering songs by Bob Marley & The Wailers, released in 1999, produced by Stephen Marley. [1]The remixed version of "Turn Your Lights Down Low" with Lauryn Hill was released as a single.
Nathaniel Ian Wynter (30 September 1954 – 30 March 2022 [1]), also known as Natty Wailer, was a Jamaican-born musician and Rastafarian, best known for his work with Bob Marley and the Wailers, Aston Barrett and King Tubby.
The Wailers Band is a Jamaican reggae band formed by former members of Bob Marley and the Wailers after Marley's death in 1981. It was led by bassist Aston "Familyman" Barrett until 2016, when he passed the role onto his son, Aston Barrett Jr.
Reviewing Live! in Christgau's Record Guide: Rock Albums of the Seventies, Robert Christgau wrote, "The rushed tempos take their toll in aura: 'Trenchtown Rock' can be far more precise, painful, and ecstatic; like most live albums this relies on obvious material.