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Study for the Madonna of the Cat is a set of two drawings by Leonardo da Vinci on both sides (front and back) of a sheet of paper 13 centimeters high and 9.4 centimeters wide. The two drawings were made in pen and brown ink, on a preparatory drawing in stylus , with a brown wash on the back.
The little bird on the forehead of the cat is actually meant to be inside the cat's head; it can be assumed that he is dreaming of a potential prey. In the painting, the bird only plays a minor role; the undisputed main character is the cat, whose face overwhelmingly dominates the format. Domestic cats often like to sit in tight spaces.
Carnation, Lily, Lily, Rose is an oil-on-canvas painting made by the American painter John Singer Sargent in 1885–86. [1]The painting depicts two small children dressed in white who are lighting paper lanterns as day turns to evening; they are in a garden strewn with pink roses, accents of yellow carnations and tall white lilies (possibly the Japanese mountain lily, Lilium auratum) behind them.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
I Want to Draw a Cat For You is an online business owned by Steve Gadlin where customers can purchase custom drawings of stick figure cats that Gadlin draws to the customer's specifications. [1] Gadlin first came up with the idea as a joke, [ 2 ] with the goal of seeing if he could construct a successful business using only a widget . [ 3 ]
A rosette is a rose-like marking or formation found on the fur and skin of some animals, particularly cats. [1] [2] Rosettes are used to camouflage the animal, either as a defense mechanism or as a stalking tool. Predators use their rosettes to simulate the different shifting of shadows and shade, helping the animals to remain hidden from their ...
A cutaway drawing, also called a cutaway diagram, is a 3D graphics, drawing, diagram and or illustration, in which surface elements of a three-dimensional model are selectively removed, to make internal features visible, but without sacrificing the outer context entirely.
In 1993, after her time at MoMA, Rose joined Pace Gallery in New York as the director of special exhibitions. [1] [3] She curated exhibitions such as Henry Moore's 1930s and '40s drawings and Picasso, Braque and Early Film in Cubism. [1] In 2007, Rose was appointed the inaugural chief curator of the Menil Collection's Drawing Institute in Houston.