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Painting by Konstantin Korovin, 1906 Another view by Korovin. The Café de la Paix (French pronunciation: [kafe də la pɛ]) is a famous café located on the northwest corner of the intersection of the Boulevard des Capucines and the Place de l'Opéra, in the 9th arrondissement of Paris, France.
Le Rat Mort ("The Dead Rat") was a popular cafe/restaurant and cabaret in Paris in the 19th and early 20th centuries. Located in the Place Pigalle in the Montmartre District, it was frequented by artists, writers, actors, artist models, and prostitutes, and was a gathering place for lesbians in the evenings.
The Closerie des Lilas (French pronunciation: [klozʁi de lila]) is a famous Parisian restaurant (or brasserie) located on the Boulevard du Montparnasse in the 6th arrondissement of Paris. It was opened in 1847 by François Bullier and was a simple brasserie at the beginning. [ 1 ]
The interior of Le Vagenende on Boulevard Saint-Germain in Paris A riverside brasserie in Leeds, England The terrace of a brasserie on Groenplaats, Antwerp, Belgium. In France, Flanders, and the Francophone world, a brasserie (pronounced [bʁas(ə)ʁi] ⓘ) is a type of French restaurant with a relaxed setting, which serves dishes and other meals.
The restaurant is mentioned in part 3 of Honoré de Balzac's Le Père Goriot, chapter 10 of Gustave Flaubert's Sentimental Education, chapter 10 in Émile Zola's Nana, Guy de Maupassant's short story "Les Bijoux", Marcel Proust's In Search of Lost Time (towards the beginning of volume 2, "Within a Budding Grove"), in Umberto Eco's The Prague ...
The cafe was also known for being a meeting site for intellectuals and artists, including Gabriele D'Annunzio and Filippo Tommaso Marinetti. It was the meeting point of Oscar Wilde, Gabriele D'Annunzio, Ernest Hemingway, Matilde Serao, [2] Princess Sissi, Jean Paul Sartre, [3] [4] Guy de Maupassant, Émile Zola, and Benedetto Croce. [5]
Café-Concert at Les Ambassadeurs (French - Le Café-concert aux ambassadeurs) is a monotype pastel by Edgar Degas of the cafe-concert at the Café des Ambassadeurs café-concert. It was first exhibited in 1877 at an Impressionist exhibition and is now in the Musée des Beaux-Arts de Lyon .
Zola is positioned and turned away from Manet, assuming the role of his interpreter and mediator. [4] Maître, Renoir, and Scholderer represent the interconnectedness between the artists. Monet's position on the far right highlights the fragile cohesion between schools of art shared by the painters present.