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Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically .
Most of the inventions which led to optical sound-on-film technology employed the use of an electric lamp, called an 'exciter', shining through a translucent waveform printed on the edge of a film strip. When the light shines through the film, it is read by a photo-sensitive material and fed through a processor which converts the photovoltaic ...
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
35 mm movie projector in operation Bill Hammack explains how a film projector works. A movie projector (or film projector) is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras.
Dolby Stereo is a sound format made by Dolby Laboratories.It is a unified brand for two completely different basic systems: the Dolby SVA (stereo variable-area) 1976 system used with optical sound tracks on 35mm film, [1] and Dolby Stereo 70mm noise reduction on 6-channel magnetic soundtracks on 70mm prints.
A PA-302 General Precision Laboratories (GPL) kinescope (c.1950–1955). Its movie film camera, bolted to the top of the cabinet, used Kodak optics.. Kinescope / ˈ k ɪ n ɪ s k oʊ p /, shortened to kine / ˈ k ɪ n iː /, also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor.
The work was done in Los Angeles by Cinesite utilizing a Spirit DataCine for scanning at 2K resolution [6] and a MegaDef color correction system from UK Company Pandora International; 1998: Zingo - The first feature film to use digital color correction via digital intermediate in its entirety. The work was performed at the Digital Film Lab in ...
Logotype of the VistaVision format. A VistaVision 35 mm film frame (the dotted area shows a 1.85:1 aspect ratio crop). VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954.