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"If Art has a Master, Imagination cracks the whip".(1987) [1] It is clear that he was true to his beliefs when examining his work. He went beyond the boundaries of established Northwest Coastal art and was a contributor to the evolution of contemporary Native art. [5] Modern Mask 1992
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
The Codified Laws of South Dakota state that an "Indian" is a citizen or a descendant of a federally recognized American Indian tribe and that it "is a Class 2 misdemeanor for any person to distribute, sell, or offer for sale any article of American Indian art or craft unless the article is clearly and legibly labeled or branded as to place of ...
Realism differentiated Abeita's art from that of most traditional Native American artists, [17] as did his use of oil at a time when most Navajo art was being done with watercolor and casein. [13] The Native American flat-style approach, depicting subjects without shadow or depth, developed during the 1920s and 1930s and still predominated in ...
It is illegal to offer or display for sale or sell any art or craft product in a manner that falsely suggests it is Indian produced, an Indian product, or the product of a particular Indian or Indian Tribe or Indian arts and crafts organization, resident within the United States. For a first time violation of the Act, an individual can face ...
The First American Art Magazine has stated the magazine "complies with the 2008 Cherokee Nation Truth in Advertising for Native Art Act (#07-160) and is explicit in revealing if individuals are enrolled in the three federally recognized Cherokee tribes or if they are unenrolled individuals of Cherokee descent." The magazine further states that ...
Indigenous-American philosophical thought consists of a wide variety of beliefs and traditions among different American cultures. Among some of U.S. Native American communities, there is a belief in a metaphysical principle called the 'Great Spirit' (Siouan: wakȟáŋ tȟáŋka; Algonquian: gitche manitou).
The Biographical Directory of Native American Painters. Norman and London: The Oklahoma University Press, 1995. ISBN 0-8061-9936-9. Swan, Daniel C. Peyote Religious Art: Symbols and Faith and Belief. Jackson, University of Mississippi Press, 1999. ISBN 1-57806-096-6.