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  2. Frescography - Wikipedia

    en.wikipedia.org/wiki/Frescography

    Frescography (from Latin fresco – painting onto "fresh" plaster + Greek graphein – to write) is a method for producing murals digitally on paper, canvas, glass or tiles, invented in 1998 by German muralist Rainer Maria Latzke. [1] Frescography uses CAM and digital printing methods to create murals. With CAM-program created Frescography

  3. Computer-aided mural - Wikipedia

    en.wikipedia.org/wiki/Computer-aided_mural

    Computer-aided mural (CAM) is the use of computer technology for designing mural art and wall decoration resulting in the frescography procedure, which was invented in 1998 by German muralist Rainer Maria Latzke. [1] CAM may be used to design completely individual illusionary or decorative mural art.

  4. Fresco - Wikipedia

    en.wikipedia.org/wiki/Fresco

    Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.

  5. Mission Dolores mural - Wikipedia

    en.wikipedia.org/wiki/Mission_Dolores_mural

    The Mission Dolores mural is an 18th-century work of art in the Mission San Francisco de Asís, the oldest surviving structure in San Francisco. In 1791, the Ohlone people , Native Americans of the San Francisco Bay and laborers for the church, painted the mural on the focal wall of the sanctuary.

  6. Mural - Wikipedia

    en.wikipedia.org/wiki/Mural

    Tempera painting is one of the oldest known methods in mural painting. In tempera, the pigments are bound in an albuminous medium such as egg yolk or egg white diluted in water. In 16th-century Europe, oil painting on canvas arose as an easier method for mural painting. The advantage was that the artwork could be completed in the artist's ...

  7. Transfer of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Transfer_of_panel_paintings

    The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...