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Alexandros of Antioch (Greek: Ἀλέξανδρος) (2nd – 1st century BC) was a Greek sculptor of the Hellenistic age. He is thought to be the sculptor of the famous Venus de Milo statue. Life
The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of Antioch on the Maeander and supports a date for the work in the Hellenistic period. The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification difficult. [44]
The following is a very incomplete list of notable works in the collections of the Musée du Louvre in Paris. ... Alexandros of Antioch Coronation of the Virgin:
You have [Alexandros of Antioch’s] Venus de Milo, you have [Sandro] Botticelli's Birth of Venus. Everybody has done Jesus, Mary, and Joseph. Everybody has done Jesus, Mary, and Joseph. Everybody ...
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
The arrival of Peter the Hermit in Rome. The Chanson d'Antioche is a chanson de geste in 9000 lines of Alexandrin in stanzas called laisses, now known in a version composed about 1180 for a courtly French audience and embedded in a quasi-historical cycle of epic poems inspired by the events of 1097–99, the climax of the First Crusade: the conquest of Antioch and of Jerusalem and the origins ...
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. [4] Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.