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Waves and the Both of Us is the debut album by Charlotte Sometimes. It was released on May 6, 2008. ... The song "How I Could Just Kill a Man" was named after the ...
Her debut album Waves and the Both of Us was released on May 6, 2008. She has released one full-length album and five EPs. She has released one full-length album and five EPs. [ 1 ] [ 2 ] [ non-primary source needed ] [ 3 ] [ 4 ] In 2014, Poland retired her stage name and started a new project called LACES.
Alsongs is an extensive collection of Weird Al lyrics. The Not Al Page attempts to list tracks which are often wrongly attributed to Weird Al and discover their true origins. "Weird Al" Yankovic Songography is a comprehensive list of Weird Al songs and their availability. Weird Facts
Moana 2 (Original Motion Picture Soundtrack) is the soundtrack album to the 2024 Disney animated film Moana 2 released by Walt Disney Records on November 22, 2024. The 16-track album features original songs written by Mark Mancina and Opetaia Foaʻi returning from the first film, while Abigail Barlow and Emily Bear replaced the first film's composer Lin-Manuel Miranda to co-compose the songs.
The song features vocals from American singer-songwriter Taylor Swift. The artists co-wrote the song alongside Ammar Malik and the song's producers, Dr. Luke and Cirkut. "Both of Us" was released to critical acclaim, most praising Swift's feature, with some calling the collaboration as a sweet and melodic catchy song. [3]
"Capitol sent out a sampler of four tracks and all the DJs said, "It's the "Sunshine" song because we can talk over the intro and it's got the right energy for summer," she said. [11] When the song was released as a single in March 1985, it charted all over Europe, the US, Canada and Australia. [1]
We don’t talk about Bruno, but that doesn’t mean we’re gatekeeping Sebastián Yatra’s “Dos Oruguitas” lyrics in English—especially after the song’s nomination and performance at ...
Arguably the most celebrated song on Planet Waves, "Forever Young", was originally written for his children, and a demo recording from June 1973 (released on Biograph in 1985) explicitly shows this. As described by Heylin, the song is "an attempt to write something hymnal and heartfelt that spoke of the father in him."