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The modern pan is a chromatically pitched percussion instrument made from 200-litre industrial drums. [4]Drum refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a steel pan or pan as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone).
Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones . Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion.
Drums can be made of steel, dense paperboard (commonly called a fiber drum), or plastic, and are generally used for the transportation and storage of liquids and powders. Drums are often stackable, and have dimensions designed for efficient warehouse and logistics use.
Drum hardware is the set of parts of a drum or drum kit that are used to tension, position, and otherwise support the instruments themselves. Occasionally, the hardware is used percussively as well, the most common example being a rim shot .
A steel tongue drum can be made from an empty, often 20-lb (9-kg) propane tank. The tank is flipped over and the base is cut or knocked off. Seven to ten tongues are then cut radially into the bottom of the tank, forming the top of the instrument. A steel tongue drum can also be made from a new unused tank head.
Relate only to other members of the set, or to related unpitched instruments (for example the bass drum to the tom-toms in a drum kit), rather than to the pitched instruments in the ensemble. Bear no harmonic relationship one to the other. If either of these two conditions is not met, then the instrument could be considered pitched.
By 18, he began tuning pans, guided by other tuners such as Carl Greenidge. Marshall was dissatisfied with what he called ping pong's inferior tone. By 1956, Bertie Marshall had accomplished the most significant development in today’s steelpan tone, revolutionizing the method of tuning, by changing the instrument from the inharmonic style.