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Epitaph is a German rock band, formed in Dortmund in 1969. Playing initially what Allmusic described as "post-psych progressive rock, spiced with occasional jazz accents and widespread twin-guitar harmonies," [1] in 1973 they started shifting towards more straightforward hard rock (later heavy metal) stylings and, having released six studio albums, disbanded in 1982.
Uploading music to Bandcamp is free. The company takes a 15% commission on sales made from their website, which drops to 10% after an artist's sales surpass US$5,000, plus payment processing fees. [24] Downloads are offered in lossy formats MP3 (LAME, 320k or V0), AAC and Ogg Vorbis, and in lossless formats FLAC, ALAC, WAV and AIFF. [25]
Large live music archive, hosts hundreds of free music netlabels 13 million (as of 2021) [12] CC/PD Yes Jaxsta: Online database of official music credits 19,000,000 [13] • 115,000,000+ Individual Music Credits • 100,000+ Credits Ingested Daily API available. Last.fm: Music community website. ~26,484,587 [14] ~3,304,568 ~1,383,340
Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. A large portion of the record label, known as Hellcat Records , is owned by Tim Armstrong , frontman of the punk rock band Rancid .
The European version does not contain music by Millencolin, The (International) Noise Conspiracy, Refused, Bombshell Rocks, Satanic Surfers, or The Hives, and does contain music by Guy Smiley, Terrorgruppe, Burning Heads, I Against I, Heideroosjes, and Zen Guerilla. E-86589 Guttermouth: Covered With Ants: 2001 LP, CD E-86590 Death by Stereo
Epitaph chose to change the name of the compilation series because the name "Punk-O-Rama", especially in its later releases, no longer reflected the wide range of music released on the compilations. Unsound is similar to the last two entries in the Punk-O-Rama series in that it is a two-disc set with a CD and a DVD , which contains music videos ...
"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield. The song is noted for its heavy use of the Mellotron.
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