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The recapitulation of the A strain at the end is also found in "Magnetic Rag" and "Scott Joplin's New Rag", which appeared about the same time. [1] The introduction and the A strain are both in B-flat major. At the start of the B strain, the piece modulates to G minor. Edwards describes this section as "well developed". [1] The C strain is in E ...
The following is a complete list of musical compositions by Scott Joplin (November 24, 1868 – April 1, 1917). Scott Joplin was born in Arkansas in around 1867, just outside Texarkana , and was a street performer before settling in Sedalia, Missouri , St. Louis, Missouri , and finally New York City where he died in 1917.
"Weeping Willow" is sub-titled "A rag time two step", which was a form of dance popular until about 1911, and a common style among rags written at the time. Its structure is: Intro A A B B A C C D D The A and B sections are in the key of G major very lofty and highly melodic. The "B" section makes good use of alternating patterns creating ...
Media in category "Rags by Scott Joplin" This category contains only the following file. Bethena Introduction.jpg 1,328 × 308; 162 KB
The original cover page showed an elderly black man picking up rags in front of a ramshackle cabin, and has been interpreted as a double pun, first on the activities of a rag (or junk) picker, and second on a slang term for ragtime, "picking the piano". [3] The rag was given the following credits: Picked By Scott Joplin Arranged By Chas. N ...
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
"Heliotrope Bouquet" is a 1907 rag composed by Scott Joplin and Louis Chauvin. [1] The first section of the piece is unique in ragtime for its structure, rhythm and melody. Music historian Bill Edwards has speculated that this and the second section were most likely contributed by Chauvin, while the third and fourth section show Joplin’s ...
[5] In the album notes to Scott Joplin: Piano Rags, [20] Joshua Rifkin describes the "Magnetic Rag" as a "valedictory work" with Joplin paying "tribute" to a "transplanted Middle-European dance music" and the European masters whom he tried to emulate. Rifkin speculates that the composition's short coda also "seems like a farewell, as if he knew ...