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Cannibal! The Musical; Cannibalism: The Last Supper; The Cavern (2005 film) Chew Chew Baby; Cloud Atlas (film) Clown (film) Coffin Baby; The Colony (2013 film) Conan the Barbarian (1982 film) Consuming Passions; The Cook, the Thief, His Wife & Her Lover; Corporate Animals; The Cottage (film) Creep (2004 film) Curse of the Cannibal Confederates ...
Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of horror films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone Age natives deep within the Asian or South American ...
Human Hibachi is a 2019 American found footage horror film, written and directed by Mario Cerrito. [2] [3] It was selected by the New Jersey Horror Con and Film Festival and Philadelphia Independent Film Festival. The movie went on to win 2021 best feature film at the New Jersey Horror Con and Film Festival. [4]
While eating human flesh isn't a typical part of the female journey, both horror films are shockingly relatable. How Cannibalism Films 'Bones And All' And 'Raw' Capture The Young Woman Experience ...
The Green Inferno is a 2013 cannibal horror film directed by Eli Roth, with a screenplay by Roth and Guillermo Amoedo.It stars Lorenza Izzo, Ariel Levy, Daryl Sabara, Kirby Bliss Blanton, Sky Ferreira, Magda Apanowicz, Nicolás Martinez, Aaron Burns, Ignacia Allamand, Ramón Llao, and Richard Burgi.
Cannibal Holocaust is a 1980 Italian cannibal film directed by Ruggero Deodato and written by Gianfranco Clerici.It stars Robert Kerman as Harold Monroe, an anthropologist who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes.
Yorgos Lanthimos’ “Kinds of Kindness,” starring Emma Stone, freaked out Cannes Film Festival on Friday night with an anthology of stories about sex cults, cannibalism and general debauchery.
The 'Bones and All' director is more attracted to the idea of the impossibility of one's nature than the blood and unnaturalness of his characters.