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Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones . Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion.
Bongos playing a cumbia beat. Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. [1] The pair consists of the larger hembra (lit. ' female ') and the smaller macho (lit. ' male '), which are joined by a wooden bridge. They are played with both hands and ...
The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning.
If the tuning is too loose, the bass and slap tones will sound "flabby"; too tight, and the drums will sound unnatural and "pinched". With a single drum, it is easy to tighten the drum until it makes a pleasing sound and then tighten a little more to reach a uniform desired pitch.
Nahru Lampkin, aka Bongo Man (born 1962), is an American entertainer, musician, street performer, and entrepreneur from Detroit, Michigan. [1] He has two other jobs, but he is best known as a street performer who plays conga drums (referred to as bongo drums by his customers) [2] near the entrance to sporting and other events, while offering rhymed comments to passers-by. [3]
Quite right, as can a snare drum, a bass drum, or timbales. This is the main reason the traditional terms tuned percussion and untuned percussion are avoided these days... it gets really confusing when so many so-called untuned percussion instruments have tuning keys and tuning lugs so they can be tuned by the player!
Growing up in Chicago, Gibson was constantly tapping out rhythms on his desk at school. At age ten he acquired a set of bongos, which he used to perform on the streets and in laundrettes in his neighborhood. [1] In the late 1950s, Gibson began playing with and toured for more than a year with calypso singer Mighty Panther before returning to ...