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Roddis Franklin "Pete" Drake (October 8, 1932 – July 29, 1988) [1] was a Nashville-based American record producer and pedal steel guitar player. [2] One of the most sought-after backup musicians of the 1960s, Drake played on such hits as Lynn Anderson 's " Rose Garden ", Charlie Rich 's " Behind Closed Doors ", Bob Dylan 's " Lay Lady Lay ...
That year's inductees included Harold Bradley, Floyd Cramer, Pete Drake, Ray Edenton, Hank Garland, Buddy Harman, Tommy Jackson, Grady Martin, Charlie McCoy, Bob Moore, Boots Randolph, Hargus "Pig" Robbins, and Jerry Kennedy. [3] Noteworthy also is the fact that many A-Team members went on to have solo careers of their own.
The album for which the single was named was recorded in January 1974. The sessions were held at Pete's Place, a Nashville, Tennessee studio owned by producer Pete Drake. [5] The disc contained a total of 12 tracks. [1] Two of the album's tracks were co-written by Montgomery herself: "My Feel Good Sure Feels Fine" and "Love, I Need You". [5]
A longtime fan of the genre, Starr recorded the album over three days in Nashville with producer Pete Drake and an ensemble of local session players. Beaucoups of Blues failed to chart in Britain but achieved moderate commercial success in the United States, where it reached number 35 on Billboard ' s Country Albums list and number 65 on the ...
"Don't Let the Good Times Fool You" was recorded at "Pete's Place", a recording studio located in Nashville, Tennessee, United States in May 1974. The session included The Nashville A-Team of musicians, such as Harold Bradley and Buddy Harman. The session was produced by Pete Drake. [1]
Tanya Tucker, Patty Loveless and Bob McDill will be the Country Music Hall of Fame’s three 2023 inductees, it was announced in a news conference at the hall’s museum in Nashville Monday morning.
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The project was derived from producer Pete Drake who had founded the First Generation record label. Shepard's project was among several albums with a similar title by veteran-era country artists like Jan Howard, Ray Pillow and Charlie Louvin. Drake believed the album series would cater to an older audience that wanted to hear veteran artists. [3]