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The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).
The Mount Kisco Ancient Fife and Drum Corps [6] has the best-known collection of Moeller drums, which are still being played today. The Lancraft Fife and Drum Corps, [7] of which Moeller was a member from 1930 to 1935, purchased five snare drums at $85.00 each (~$830.00 each in 2021 dollars) from Moeller, who delivered them personally on August ...
Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.
The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]
The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
The origin of snare drum rudiments can be traced back to Swiss mercenaries armed with long polearms. The use of pikes in close formation required a great deal of coordination. The sound of the tabor was used to set the tempo and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum ...
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Samuel Potter's book, The Art of Beating the Drum from 1817 recommends that rudiments be played "until perfectly close," but there is no mention of opening them back up again. [6] It wasn't until 1862 that George Barrett Bruce recommended playing rudiments in the open, closed, open method. [ 7 ]