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Comb., as yin-yang, the combination or fusion of the two cosmic forces; freq. attrib., esp. as yin-yang symbol, a circle divided by an S-shaped line into a dark and a light segment, representing respectively yin and yang, each containing a 'seed' of the other. yang (jæŋ) Also Yang. [Chinese yáng yang, sun, positive, male genitals.] a.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Abe no Seimei, a famous onmyōji. Onmyōdō (陰陽道, also In'yōdō, lit. ' The Way of Yin and Yang ') is a technique that uses knowledge of astronomy and calendars to divine good fortune in terms of date, time, direction and general personal affairs, originating from the philosophy of the yin-yang and the five elements.
Yin and yang are concepts in Chinese philosophy, used to describe how opposite or contrary forces are actually complementary. The yin yang symbol is a Chinese symbol known as a taijitu which demonstrates the concept. The concept is associated with the philosophy known as Taoism. Yin and yang, yin yang or yin-yang may also refer to:
Baṛī ye (Urdu: بَڑی يے, Urdu pronunciation: [ˈbəɽiː ˈjeː]; lit. ' greater ye ') is a letter in the Urdu alphabet (and other Indo-Iranian language alphabets based on it) directly based on the alternative "returned" variant of the final form of the Arabic letter ye/yāʾ (known as yāʾ mardūda) found in the Hijazi, Kufic, Thuluth, Naskh, and Nastaliq scripts. [1]
The gakyil or 'wheel of joy' is depicted in a similar form to the ancient Chinese yin-yang symbol, but its swirling central hub is usually composed of either three or four sections. The Tibetan term dga' is used to describe all forms of joy, delight, and pleasure, and the term 'khyil means to circle or spin.
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