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In the jiyūka (自由花, ' free flowers ') [27] style, creative design of flower arranging is emphasised, with any material permissible for use, including non-flower materials. In the 20th century, with the advent of modernism , the three schools of ikebana partially gave way to what is commonly known in Japan as "Free Style".
Banmi Shōfū-ryū (晩美生風流) is a school of Ikebana, an ancient Japanese art form that involves arranging flowers for spiritual purposes. [1] Ikebana accompanied Buddhism's arrival in Japan in the 6th century and evolved from a Buddhist ritual.
Bunjinbana arrangement. Bunjinbana (文人花, "literati flowers") is a style of ikebana that is inspired by traditional Chinese landscapes. It developed from the Bunjinga (文人画 "literati painting") movement among different Japanese artists of the late Edo period, who however all shared an admiration for traditional Chinese culture and paintings.
These all developed from ikebana, which had its origin in early Buddhist flower offerings (kuge). [4] Chabana, however, refers specifically to the flower display in the room or space for chadō , [ 5 ] and though it fundamentally is a form of ikebana, it comprises a genre unto its own.
While distinctly a hallmark of the Ohara school, moribana has become one of the standard forms learned and created by Ikebana practitioners regardless of school or style affiliation. [1] [2] [3] Moribana is often associated with nageire, and although the two styles share similarities, their historic development is different, nageire being older.
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The term came to be a popular synonym for ikebana in the 15th century, when rikka became a distinctive element of interior decoration in the reception rooms at the residences of the military leaders, nobility, and priests of the time. [2]
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