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During the reign of the Timurids, the golden age of Persian painting began, and Chinese influence continued, as Timurid artists refined the Persian art of the book, which combines paper, calligraphy, illumination, illustration and binding in a brilliant and colourful whole. [67] From the start paper was used, rather than parchment as in Europe.
Median man in Persepolis Persian realist Gouache painting of the Qajar dynasty and soldiers in 1850-1851. The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry.
"Bahram Gor with the Indian Princess," Mohammad Zaman, 1675/76 [1]. Farangi-Sazi (Persian: فرنگیسازی, lit. 'making in an Occidental manner') was a style of Persian painting that originated in Safavid Iran in the second half of the 17th century.
During this period, alongside the traditional masters who continued the Baysonqori style, a new generation of talented and innovative artists emerged, introducing new experiences to Persian painting. For example, Haji Mohammad Haravi, known as Mohammad Siyah Qalam, incorporated Iranian satire and grotesque elements in his works.
With Persian literature in mind, occasional paintings featured women with an "outward gaze" which represents "directly addressing the reader" [8] and is seen in many narrative paintings from Shirin and Khusraw, Yusuf and Zulaykha, and Shaykh San'an. In contrast to traditional postures and positions of women in 19th-century Qajar art, was a ...
Monir Shahroudy Farmanfarmaian (Persian: منیر شاهرودی فرمانفرمائیان; 13 January 1922 – 20 April 2019) [1] was an Iranian artist and a collector of traditional folk art. [2]