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She was known for chinoiserie, [8] displayed in the Chinese wallpapers of her often-photographed drawing room, and for baroque and rococo Venetian, South German and Austrian furniture, [5] at a time when conservative New York tastes ran to Louis XV and English Georgian furnishings. Her color sense favored saturated, dramatic tones.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
Chinese traditional furniture technology developed to the Yongzheng and Qianlong periods of the Qing dynasty, forming a Qing style school different from Ming style furniture. The Qing dynasty experienced the Kangxi, Yongzheng and Qianlong periods, and there was a luxurious and decadent trend of blindly pursuing richness, luxury, and red tape in ...
Like chinoiserie furniture and other decorative art forms, chinoiserie wallpaper was typically placed in bedrooms, closets, and other private rooms of a house. The patterns on wallpaper were expected to complement the decorative objects and furniture in a room, creating a complementary backdrop.
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
The term Asian furniture, or sometimes Oriental furniture, refers to a type of furniture that originated in the continent of Asia. Sometimes people also think of Asian furniture as a style of furniture that has Asian accents. With assimilation with western culture the term can also expand to modern Asian furniture.