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I Lost It at the Movies is a 1965 compendium of movie reviews written by Pauline Kael, later a film critic from The New Yorker, from 1954 to 1965.The book was published prior to Kael's long stint at The New Yorker; as a result, the pieces in the book are culled from radio broadcasts that she did while she was at KPFA, as well as numerous periodicals, including Moviegoer, the Massachusetts ...
Before becoming a film critic, Brody worked on documentaries and made several independent films. [4] [6] [7] Since 1999 he has written for The New Yorker, and in December 2014, he was made a Chevalier (Knight) in the Ordre des Arts et des Lettres for his contributions in popularizing French cinema in America.
Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, [2] Kael often defied the consensus of her contemporaries.
Film critic and Variety alum Justin Chang is leaving the Los Angeles Times for The New Yorker. He will join the publication as a film critic on Feb. 12. David Remnick, the editor of The New Yorker ...
When Lionsgate released the second trailer for Francis Ford Coppola’s epic film “Megalopolis” on Wednesday morning, it began with a litany of pans of his past work from several renowned critics.
Anthony Lane was awarded the 2001 National Magazine Award for Reviews & Criticism, for three of his New Yorker articles: The Maria Problem (14 February 2000), on The Sound of Music [17] The Eye of the Land (13 March 2000), on the photographs of Walker Evans [18] The Light Side of the Moon (10 April 2000), on photographs from the Apollo program [19]
John Henry Lahr (born July 12, 1941) is an American theater critic and writer. [1] From 1992 to 2013, he was a staff writer and the senior drama critic at The New Yorker. [2]
As one of the main film critics for The New Yorker magazine in the 1960s and 1970s, Gilliatt was known for her detailed descriptions and evocative reviews. A writer of short stories, novels, non-fiction books, and screenplays, Gilliatt was nominated for an Academy Award for Best Original Screenplay for Sunday Bloody Sunday (1971).