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Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
In the New Testament, the Greek word for angels (άγγελος) is not only used for heavenly angels, but also used for human messengers, such as John the Baptist (Matthew 11:10, Mark 1:2, Luke 7:27) and God's prophets (Revelation 22:8–9) [20] C.I. Scofield has noted that "The natural explanation of the 'messengers' is that they were men ...
In the Book of Revelation, seven trumpets are sounded, one at a time, to cue apocalyptic events seen by John of Patmos (Revelation 1:9) in his vision (Revelation 1:1). The seven trumpets are sounded by seven angels and the events that follow are described in detail from Revelation Chapters 8 to 11. However, there are also many other messages ...
Since the 3rd century, many exegetes have believed that the Book of Revelation presents the same issues multiple times under different symbols. By the end of the Middle Ages, a historical-philosophical interpretation emerged, relating the symbols of the Apocalypse to the history of the church. It was characterized by an anti-Muslim perspective.
Robert Witham, an 18th-century Catholic commentator, offers a preterist view for the period that spans the length of the opening of the seals; [11] it being the period from Christ to the establishment of the Church under Constantine in 325. [12] Johann Jakob Wettstein (18th century) places the date of the Apocalypse as written before A. D. 70 ...
Revelation 3:1: And unto the angel of the church in Sardis write; These things saith he that hath the seven Spirits of God, and the seven stars; I know thy works, that thou hast a name that thou livest, and art dead. Revelation 4:5: And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning ...
On Folio 27v of the Bamberg Apocalypse is the first full depiction of Revelation 11 with a narrative divided into three key scenes. The figures on the top preach as the beast attacks two witness that then get resurrected on the bottom right register. The Bamberg Apocalyse is the only extant illustrated Ottonian Apocalypse manuscript. [3]
[f] An anonymous Scottish commentary of 1871 [130] prefaces Revelation 4 with the Little Apocalypse of Mark 13, places Malachi 4:5 ("Behold I will send you Elijah the prophet before the coming of the great and dreadful day of the Lord") within Revelation 11 and writes Revelation 12:7 side by side with the role of "the Satan" in the Book of Job ...