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Anton Szandor LaVey [1] (born Howard Stanton Levey; April 11, 1930 – October 29, 1997) was an American author, musician, and LaVeyan Satanist. [2] He was the founder of the Church of Satan , the philosophy of LaVeyan Satanism , and the concept of Satanism .
LaVeyan Satanism is the name given to the form of Satanism promoted by American occultist and author Anton LaVey (1930–1997). LaVey founded the Church of Satan (CoS) in 1966 in San Francisco.
The Satanic Bible is a collection of essays, observations, and rituals published by Anton LaVey in 1969. It is the central religious text of LaVeyan Satanism, and is considered the foundation of its philosophy and dogma. [1]
The Satanic Mass: Recorded Live at the Church of Satan is the first released audio recording of a Satanic ritual by high priest Anton Szandor LaVey, recorded September 13, 1967 at Church of Satan headquarters, known as The Black House. [1] The album was originally released as a vinyl LP in 1968, on LaVey's own label Murgenstrumm.
The Church of Satan (CoS) is a religious organization dedicated to the religion of Satanism as defined by Anton Szandor LaVey. Founded in San Francisco in 1966, by LaVey , it is considered the "oldest satanic religion in continual existence", and more importantly the most influential, inspiring "numerous imitator and breakaway groups". [ 2 ] [
LaVey conducted Satanic seminars and rituals at the house; one of the most notorious such rituals was the Satanic baptism of his daughter Zeena Schreck in 1967, punctuated by LaVey speaking the words "Hail Zeena! Hail Satan!" [3] [4] over the nude body of a female acting as the 'Satanic Altar'. Public ceremonies were performed at the house ...
Hegarty, also known as Diane LaVey and Diana Hall, [2] [5] [6] was born July 10, 1942. As well as being a self-described sorceress , Diane was co-founder with Anton LaVey of the Church of Satan and served as High Priestess for approximately 25 years.
In addition to founding LaVeyan Satanism as a belief system, LaVey had a long career as a showman and particularly as a musician, which the album had captured. In contrast to the dramatic and serious public image often associated with LaVey and his doctrines, with his words and actions drawing controversy, the album is a frequently comedic release intended for straightforward entertainment ...