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Anton Szandor LaVey [1] (born Howard Stanton Levey; April 11, 1930 – October 29, 1997) was an American author, musician, and LaVeyan Satanist. [2] He was the founder of the Church of Satan , the philosophy of LaVeyan Satanism , and the concept of Satanism .
The Satanic Mass: Recorded Live at the Church of Satan is the first released audio recording of a Satanic ritual by high priest Anton Szandor LaVey, recorded September 13, 1967 at Church of Satan headquarters, known as The Black House. [1] The album was originally released as a vinyl LP in 1968, on LaVey's own label Murgenstrumm.
Interviews with LaVey cover a range of topics, including early influences such as the Johnson Smith catalogs. Footage of LaVey's performances are shown alongside a tour of The Black House , the Church headquarters in San Francisco, complete with ritual chamber, music room, and library.
LaVey created a new version of Guaita's image, one which was geometrically precise, with two perfect circles surrounding the pentagram, the goat head redrawn, and the Hebrew lettering altered to look more serpentine. [174] LaVey had this design copyrighted to the church, [174] claiming authorship under the pseudonym of "Hugo Zorilla". [175]
Letters from the Devil: The Lost Writing of Anton Szandor LaVey is a volume composed of over 60 tabloid newspaper articles written by Anton LaVey, the founder of the Church of Satan. [ 1 ] References
The Satanic Bible is a collection of essays, observations, and rituals published by Anton LaVey in 1969. It is the central religious text of LaVeyan Satanism, and is considered the foundation of its philosophy and dogma. [1]
The Church of Satan (CoS) is a religious organization dedicated to the religion of Satanism as defined by Anton Szandor LaVey. Founded in San Francisco in 1966, by LaVey , it is considered the "oldest satanic religion in continual existence", and more importantly the most influential, inspiring "numerous imitator and breakaway groups". [ 2 ] [
In addition to founding LaVeyan Satanism as a belief system, LaVey had a long career as a showman and particularly as a musician, which the album had captured. In contrast to the dramatic and serious public image often associated with LaVey and his doctrines, with his words and actions drawing controversy, the album is a frequently comedic release intended for straightforward entertainment ...