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"Lightning Crashes" is a song by American rock band Live. It was released in September 1994 as the third single from their second studio album, Throwing Copper . Although the track was not released as a single in the United States, it received enough radio airplay to peak at No. 12 on the Billboard Hot 100 Airplay chart in 1995.
The video is set in a wooded area and filmed in both black and white and in color, showing the band playing the song and lead singer Ed Kowalczyk tearing pages out of a book. The video is notable for one of the last appearances of Kowalczyk's long hair, which he shaved off around the time that "I Alone" was released as a single.
Their biggest success came in 1994 with their third album, Throwing Copper, which sold eight million copies in the U.S. [1] The band had a string of hit singles in the mid-1990s, including "Lightning Crashes", which stayed at the top of the Billboard Hot Mainstream Rock Tracks chart for ten consecutive weeks and the Modern Rock Tracks (now ...
"I Alone" is written in the key of G major (recorded a half step lower in G♭ major).Kowalczyk's vocal range spans from C ♯ 3-G4. [5] Lead singer Ed Kowalczyk said of the song's lyrics, "People think 'I Alone' is a love song but it really wasn't.
Lightning crashes; an old mother dies. “It’s such a winnable game,” Murray told reporters after Tuesday’s loss. “That might be one of the worst losses we’ve had, and that’s on us.”
Awake: The Best of Live is a greatest hits album by Live, released in 2004.The 19-track compilation includes songs from Live's first six studio albums as well as "We Deal in Dreams", an unreleased track from the Throwing Copper sessions, and a cover of "I Walk the Line" by Johnny Cash, recorded for the 2001 compilation Good Rockin' Tonight – The Legacy of Sun Records.
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Throwing Copper has typically been regarded as Live's strongest album. A Rolling Stone review stated that the band "strive for an epic sound" and successfully execute on that goal; [15] retrospective reviews have been similarly positive, with the Jakarta Post describing the album as "a solid beast from front to back" and uDiscoverMusic characterizing it as "challenging, yet commendably powerful".