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In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and
An die Jugend for piano, the right hand part of the "Preludietto, Fughetta ed Esercizio" is based on the whole tone scale. [10] Frédéric Chopin. Prelude No. 19, mm. 43–44, in the bass, "while the melody moves down chromatically" [11] Alexander Dargomyzhsky. The Stone Guest, passage from act 3 [12] Peter Maxwell Davies
For instance, if a piano piece had a C major triad in the right hand (C–E–G), with the bass note a G with the left hand, this would be a second inversion C major chord, which would be written G 6 4. If this same C major triad had an E in the bass, it would be a first inversion chord, which would be written E 6
Piano Concerto in D major may refer to: Piano Concerto No. 5 (Mozart) Piano Concerto No. 16 (Mozart) Piano Concerto No. 26 (Mozart) Piano Concerto in D major, Op. 61a (Beethoven), arranged from Violin Concerto, Op. 61; Piano Concerto No. 6 (Beethoven), Hess 15; Piano Concerto No. 5 (Ries) Piano Concerto No. 1 (Saint-Saëns) Piano Concerto for ...
Brahms's First Piano Concerto in D minor (pub 1861) was the result of an immense amount of work on a mass of material originally intended for a symphony. His Second Piano Concerto in B ♭ major (1881) has four movements and is written on a larger scale than any earlier concerto. Like his violin concerto, it is symphonic in proportions.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
24 Preludes and Scales piano 1855 C5* [y] [71] Charles-Valentin Alkan: 12 Études in all the minor keys, Op. 39 piano 1857 [aq] These complete the sequence that was started with the 12 Études in all the major keys, Op. 35. Études 4–7 comprise the Symphony for Solo Piano, and Études 8–10 make up the Concerto for Solo Piano. Carl Czerny
The "Ciaccona" from Johann Sebastian Bach's Partita for Violin No. 2. A chaconne (/ ʃ ə ˈ k ɒ n / shə-KON, French:; Spanish: chacona; Italian: ciaccona [tʃakˈkoːna]; earlier English: chacony) [1] is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers ...