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Lê Viết Quốc (born 1982), [1] or in romanized form Quoc Viet Le, is a Vietnamese-American computer scientist and a machine learning pioneer at Google Brain, which he established with others from Google. He co-invented the doc2vec [2] and seq2seq [3] models in natural language processing.
The term tonalité (tonality) was first used in 1810 by Alexandre Choron in the preface Sommaire de l'histoire de la musique [26] to the Dictionnaire historique des musiciens artistes et amateurs (which he published in collaboration with François-Joseph-Marie Fayolle) to describe the arrangement of the dominant and subdominant above and below ...
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
Helmholtz resonator, p. 121, fig. 32. On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.
Quoc Trung first appeared on the 3rd season of Vietnam Idol in 2010. In 2011, Trung founded Thanh Viet Production , a record label and stage production company. Trung produced Uyen Linh 's first album, My Own Dream (Giấc Mơ Tôi), released in February 2011.
D [1] is a musical note a whole tone above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). It is the third semitone of the solfège.
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
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