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Another novelty is the appearance of rhythmic ambiguity during phasing of a basic pattern. The rhythmic perception during phasing can vary considerably, from being very simple (in-phase), to complex and intricate. [6] The first section of Piano Phase has been the section studied most by musicologists. A property of the first section of phase ...
Bell pattern 1 is used in maculelê (dance) and some Candomblé and Macumba rhythms. Pattern 1 is known in Cuba as son clave. Bell 2 is used in afoxê and can be thought of as pattern 1 embellished with four additional strokes. Bell 3 is used in batucada. Pattern 4 is the maracatu bell and can be thought of as pattern 1 embellished with four ...
Pair of claves. The most fundamental rhythmic element in salsa music is a pattern and concept known as clave.Clave is a Spanish word meaning 'code,' 'key,' as in key to a mystery or puzzle, or 'keystone,' the wedge-shaped stone in the center of an arch that ties the other stones together. [2]
Tresillo (/ t r ɛ ˈ s iː j oʊ / tres-EE-yoh; Spanish pronunciation: [tɾeˈsiʎo]) is a rhythmic pattern (shown below) [1] [2] used in Latin American music. It is a more basic form of the rhythmic figure known as the habanera.
The basic elements of melody are pitch, duration, rhythm, and tempo. The tones of a melody are usually drawn from pitch systems such as scales or modes . Melody may consist, to increasing degree, of the figure, motive, semi-phrase, antecedent and consequent phrase, and period or sentence.
A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture. In music of the common practice period, the composite rhythm usually confirms the meter, often in metric or even-note patterns identical to the pulse on a specific metric level.