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"Life in the Fast Lane" is a song written by Joe Walsh, Glenn Frey and Don Henley, and recorded by American rock band Eagles for the band's fifth studio album Hotel California (1976). It was the third single released from this album, and peaked at No. 11 on the Billboard Hot 100 .
"Fast Lane" is the lead single by hip hop duo Bad Meets Evil, a group composed of Royce da 5'9" and Eminem, from their first EP Hell: The Sequel. The single was produced by Eminem , Supa Dups , and Jason "JG" Gilbert , and released on May 3, 2011 by Shady Records .
"The Last Resort" is a song written by Don Henley and Glenn Frey, which describes industry and commerce inevitably destroying beautiful places. It was originally released on the Eagles' album Hotel California on December 8, 1976. [1] It was subsequently released as the B-side of "Life in the Fast Lane" single on May 3, 1977.
"Fast Lane", a song by The Sugarhill Gang from the 1984 album Livin' in the Fast Lane "Fastlane", a song by MF Doom from the 2003 album Take Me To Your Leader;
"Now and Later" is a song by American rapper Sage the Gemini. It was released on October 14, 2016, as the lead single from his debut mixtape, Morse Code (2017). [1]
During STP's performance of "Vasoline" on VH1 Storytellers, Weiland says that the song is about "feeling like an insect under a magnifying glass."During an interview with Greg Prato from SongFacts.com on October 14, 2014, Scott Weiland confirmed that the key line in this song came from a misheard lyric: His parents put on the Eagles song "Life in the Fast Lane", and Weiland thought they were ...
"Fast Life" was looked at as a passing of the torch to Nas, because before I had been shopping him around. He recorded his whole demo in my studio. By the time we did "Fast Life" together, Nas had already started to make his entry into the game. That was the first time we had rapped together on a song, and the timing made it a passing of the torch.
Henley would later state that his greatest regret was that he did not sing as well as he could on the title track "Desperado", and would have liked to redo the song. [18] According to the producer Johns, he and Leadon tried to come up with a few musical links in an attempt to tie up the story for an outlaw concept in the album; however, the ...