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  2. Slicer (guitar effect) - Wikipedia

    en.wikipedia.org/wiki/Slicer_(guitar_effect)

    The Boss SL-20 is an example of a slicer effect in a guitar pedal. References This page was last edited on 8 January 2024, at 20:13 (UTC). ...

  3. List of distortion pedals - Wikipedia

    en.wikipedia.org/wiki/List_of_distortion_pedals

    Boss MT-2 Metal Zone. The MT-2 Metal Zone was released in 1991, following the discontinuation of the earlier HM-2, which failed to sell well during its production run, but was popular among death metal players. With the MT-2, Boss sought to appeal to that market with an improved pedal as death metal's popularity surged. [26]

  4. Boss Corporation - Wikipedia

    en.wikipedia.org/wiki/Boss_Corporation

    Boss's line of compact pedals began in 1977 with the release of six pedals, all of them discontinued: an overdrive pedal (OD-1), a phaser pedal (PH-1), a parametric equalizer called the Spectrum (SP-1), a 6-band graphic equalizer (GE-6), a compressor pedal (CS-1) and an automatic wah pedal (TW-1). The Boss DS-1 was released the next year, in ...

  5. Boss MT-2 - Wikipedia

    en.wikipedia.org/wiki/Boss_MT-2

    The Boss MT-2 Metal Zone is a distortion pedal released by Boss in 1991. Designed for the death metal genre, the Metal Zone is characterized by its thick, tight tone and expanded EQ controls. [ 1 ] The extreme sounds the pedal is capable of producing made it successful yet divisive upon its release.

  6. Omar Rodríguez-López - Wikipedia

    en.wikipedia.org/wiki/Omar_Rodríguez-López

    Rodríguez-López's pedalboard for Bosnian Rainbows consisted of a Boss TU-3 Chromatic Tuner, an Empress Superdelay, a Blackout Effects Whetstone analog phaser, a Catalinbread Semaphore tremolo pedal, a Boss DD-5 Digital Delay, an EarthQuaker Devices Rainbow Machine, an Empress Fuzz pedal, a Catalinbread Calisto chorus/vibrato pedal, and a Boss ...

  7. Live looping - Wikipedia

    en.wikipedia.org/wiki/Live_looping

    Live looping is the recording and playback of a piece of music in real-time [1] using either dedicated hardware devices, called loopers or phrase samplers, or software running on a computer with an audio interface.