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Pinch pots are the simplest and fastest way of making pottery, [1] simply by pinching the clay into shape by using thumb and fingers. Simple clay vessels such as bowls and cups of various sizes can be formed and shaped by hand using a methodical pinching process in which the clay walls are thinned by pinching them with thumb and forefinger.
Earthenware comprises "most building bricks, nearly all European pottery up to the seventeenth century, most of the wares of Egypt, Persia and the near East; Greek, Roman and Mediterranean, and some of the Chinese; and the fine earthenware which forms the greater part of our tableware today" ("today" being 1962). [4]
The Marblehead Pottery was founded in Marblehead, Massachusetts in 1904 as a therapeutic program by a doctor, Herbert Hall, and taken over the following year by Arthur Eugene Baggs. The pottery's vessels are notable for simple forms and muted glazes in tones ranging from earth colors to yellow-greens and gray-blues. It closed in 1936. [7] [8]
Pottery and porcelain (陶磁器, tōjiki, also yakimono (焼きもの), or tōgei (陶芸)) is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. [1] Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic ...
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. [1] Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases , jugs, bowls and the like which are sold singly.
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Potters occasionally substituted manganese or iron oxide for cobalt oxide to produce brown, instead of blue, decorations on the pottery. In the last half of the 19th century, potters in New England and New York state began producing stoneware with elaborate figural designs such as deer, dogs, birds, houses, people, historical scenes and other ...
Hadley Pottery was exhibited by the American Craftsmen's Educational Council in 1947, and at the Ceramic National Exhibit at the Syracuse Museum of Fine Arts. [14] In 1952, Mary Alice Hadley received an award from the Museum of Modern Art's Good Design program [15] and her winning design, "Brown Dot" (or "Hot Brown Fleck"), was exhibited in New York and Chicago.