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Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC.
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. [1] Influenced by the Greek play, Prometheus: The Friend of Man , Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders , who rendered the eagle.
Prometheus Bound also includes two mythic innovations of omission. The first is the absence of Pandora's story in connection with Prometheus' own. Instead, Aeschylus includes this one oblique allusion to Pandora and her jar that contained Hope (252): "[Prometheus] caused blind hopes to live in the hearts of men."
[clarification needed] The Titan Prometheus is bound to a rock throughout, which is his punishment from the Olympian Zeus for providing fire to humans. The god Hephaestus and the Titan Oceanus and the chorus of Oceanids all express sympathy for Prometheus' plight. Prometheus is met by Io, a fellow victim of Zeus' cruelty. He prophesies her ...
Inasmuch as the authorship of Prometheus Bound continues to be debated, the very existence of a Prometheus trilogy is uncertain. To the extent that modern scholars postulate the existence of such a trilogy by a single author, the consensus holds that it comprised Prometheus Bound, Prometheus Unbound, and Prometheus the Fire-Bringer, in that ...
Bia is one of the characters named in the Greek tragedy Prometheus Bound, attributed to Aeschylus, where Hephaestus is compelled by the gods to bind Prometheus after he was caught stealing fire and offering the gift to mortals. Although she appears alongside her brother Kratos, she does not speak.
As for Prometheus, he finds himself inside a huge mansion. “Fate can’t be destroyed, Prometheus,” Lachy can be heard saying offscreen. “You should know that.”
The scene from Prometheus Bound in which Hephaestus chains Prometheus to a mountainside with the aid of Kratos and Bia captured the imagination of the eighteenth and nineteenth-century Romantics [40] and became a lens through which they analyzed questions of the relationships between revolution and tyranny, slavery and freedom, and war and ...