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Download as PDF; Printable version; ... (list 2) 1895: Piano Pieces ♦ ... Piano For Children (4 volumes in 2 books) 42: 53: 1908–09: Piano
All the pieces have a duration of about one or two minutes. Out of all 11 pieces, only three are based on folk tunes: numbers three, six and eight. The rest of the pieces were created in their entirety by Bartók, who used to make a great number of short pieces for piano using folk-like structures and melodies.
Piano Quintet in G minor, Op. 49 (1895) Piano Trio, Op. 50 (1895) Melodía, violin and piano (1903) Serenata, 2 violins and piano (1914; incomplete) Madrigal, cello and piano (1915) Escena religiosa, violin, organ, piano and timpani; Intermedios para la Misa de Boda de Dionisio Conde, string quartet, harp, organ; Pequeña Romanza, string quartet
One book of music from Rare Book Room, which contains digitized books of many types. Laborde Chansonnier – ca. 1470 – Unknown, (author) – France – Library of Congress, Music Division Rare Book Room of the Library of Congress: Lester S. Levy Collection of Sheet Music: 19th-century, American, minstrel music, popular music, war songs: 29,000
Five Pieces for Cello and Piano, Op. 57; Five Pieces for Cello and Piano, Op. 58; Pablo Kunik "Bruma" Opus 9 for Cello and Piano (2022) Larysa Kuzmenko. Sonata for Cello and Piano, “A Dream Within A Dream” (1992)
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano. This ...
Symphonic Variations for Piano and Orchestra (1935–37, 1953–56) Opus clavisymphonicum—Concerto for Piano and Large Orchestra (1957–59) Opusculum clavisymphonicum vel claviorchestrale (1973–75) Leo Smit. Piano Concerto (1937) Charles Villiers Stanford. Piano Concerto in B-flat major, Op. posth (1873) [15] Piano Concerto No. 1 in G, Op ...
Erik Tawaststjerna, who authored seminal biography on Sibelius, was an early, vocal advocate for many of the composer's piano pieces. The musicologist Robert Layton argues that the Ten Pieces are a mixed bag, although the "best of them are probably more personal than" their immediate predecessor, the Piano Sonata in F major (Op. 12, 1893).