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However, if the lowest note (i.e. the bass note) is not the root of the chord, then the chord is said to be an inversion: it is in root position if the lowest note is the root of the chord, it is in first inversion if the lowest note is its third, and it is in second inversion if the lowest note is its fifth. These inversions of a C major triad ...
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. . In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respective
The bass note is not one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. Such a chord is also called a slash chord. Examples with bass note in red: C major chord in root position close position (C), open position (C), first inversion (E), second inversion (G), and cluster on C (C). Play ⓘ In pre ...
For example, a C-major chord in first inversion (i.e., with E in the bass) would be notated as "C/E". This notation works even when a note not present in a triad is the bass; for example, F/G [5] is a way of notating a particular approach to voicing an Fadd 9 chord (G–F–A–C).
In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the ...
In major-thirds tuning, chords are inverted by raising notes by three strings on the same frets. The inversions of a C major chord are shown. [76] A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised ...
The fourth inversion of a ninth chord is the voicing in which the ninth of the chord is the bass note and the root a minor seventh above it. In the fourth inversion of a G-dominant ninth, the bass is A — the ninth of the chord — with the third, fifth, seventh, and root stacked above it, forming the intervals of a second, a fourth, a sixth, and a seventh above the inverted bass of A ...